![]() ![]() ![]() The immediate excitement aspect is largely associate with loudness and suddenness of the changes in volume. You can easily accomplish what he is doing with a few NN19 & NNXT patches, and if you know your way around designing drums in Kong can easily attain a similar generic club kit? The levels are hot, I don't think this sound is all that impressive tbh. In the example you've provided the guy is using Rewire to access 3rd party synths from another software. I don't understand what the point of this is. Sadly it seem that many aren't reading the thread and dragging it OT so here are the key advances to the core argument Reason tends to default all patches to -12db but not the same in VST-land as they can be hitting the pin from the first Kik and every sound after is just as loud so even two sounds are "pumping". My initial 2 cents is that I think that a lot of the VST/DAW sound seems to rely on a lot of Limiting, allowing the whole session to sound huge from the first sound. Full Reason files would be great as would explanations of what tools were used to deliver that big "modern" sound. ![]() I am hoping to see/hear some session videos/Soundclouds that not only deliver a similar sound (note accuracy is not the issue but similar will help) but shows how you achieved that using either stock Reason units (preferred) or RE (less preferred as harder for everyone to duplicate). Can YOU deliver a comparable sound in a similarly simple Reason session? What I would hope from this thread is not for more of that endless opinion (and sniping) but actual results. ![]()
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